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"shortUrl": "http://u.osmfr.org/m/378628/", "user": {"is_owner": false}, "lang": "it", "locale": "it", "datalayers": [{"properties": {"id": 1043007, "name": "finalpia", "color": "DeepSkyBlue", "labelKey": "DESCRIZIONE", "browsable": true, "iconClass": "Ball", "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTXTwPi0KCdoG5sA8CGHfH5VLoiMCJFNjyiMG7NwW831Bq8-TmacNgJD0P2j6IokZDuZybw7JB986fr/pub?gid=936700908&single=true&output=csv", "format": "csv", "dynamic": true}, "displayOnLoad": true, "popupContentTemplate": "# {AUTORE}\n{DESCRIZIONE}\n{{{FOTO}}}\n{INDIRIZZO}"}, "old_id": 1043007, "id": "a4ffec91-73c0-4abe-a8e2-a315b412d7e2", "rank": 0, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1572609283949"}, {"properties": {"id": 1043021, "name": "mura venete", "color": "IndianRed", "iconUrl": "/uploads/pictogram/minefield-24_1.png", "opacity": "0.2", "labelKey": "name", "browsable": true, "iconClass": "Drop", "showLabel": null, "remoteData": {}, "description": "Questo strato raccoglie informazioni varie trovate in giro sulle Mura Venete di Crema. Un video che d\u00e0 una descrizione dello stato delle cose nel 2019 \u00e8 stato pubblicato su facebook dalla Delegazione FAI di Crema.  (https://www.facebook.com/DelegazioneFAIdiCrema/videos/2969997066379704/) e riportato anche qui per sicurezza: http://lucascandelli.x10host.com/prove/mappaStoricaCrema/Mura//MuradiCrema_DelegazioneFAI_Crema.mp4", "displayOnLoad": true, "popupContentTemplate": "# {name}\n{description}"}, "old_id": 1043021, "id": "3a4bba18-26b9-4171-bc7c-9eb9872f4065", "rank": 1, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1597570134087"}, {"properties": {"id": 1043033, "name": "Acqua (www.smartcrema.it)", "type": "Cluster", "color": "LightSeaGreen", "cluster": {}, "labelKey": "Name", "browsable": true, "showLabel": null, "popupShape": "Panel", "remoteData": {}, "displayOnLoad": true, "popupContentTemplate": "# {Name}\n{description}"}, "old_id": 1043033, "id": "e5330db8-674e-4cc5-a0d3-98453451b682", "rank": 2, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1572609282786"}, {"properties": {"id": 1043031, "name": "torrioni mura venete", "color": "Maroon", "iconUrl": "/uploads/pictogram/monument-24.png", "labelKey": "name", "browsable": true, "iconClass": "Ball", "showLabel": null, "remoteData": {}, "displayOnLoad": true, "popupContentTemplate": "# {name}\n"}, "old_id": 1043031, "id": "e7d7a14b-5c61-4c60-bc5a-3d3da9c93fef", "rank": 3, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1625902367020"}, {"properties": {"id": 1043035, "name": "Aria (www.smartcrema.it)", "type": "Cluster", "color": "Gold", "cluster": {}, "labelKey": "Name", "browsable": true, "showLabel": null, "popupShape": "Panel", "remoteData": {}, "displayOnLoad": true, "popupContentTemplate": "# {Name}\n{description}"}, "old_id": 1043035, "id": "91b81cc9-0a3b-4c04-ab4f-8f127ec3dee1", "rank": 4, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1572609282100"}, {"properties": {"id": "dc831f93-8168-459f-8e71-04a0cad79dd4", "name": "Gian Giacomo Barbelli", "rank": 5, "type": "Cluster", "color": "CadetBlue", "old_id": 1043296, "cluster": {}, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "labelKey": "nomeopera", "browsable": false, "iconClass": "Drop", "inCaption": false, "showLabel": null, "popupShape": "Panel", "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=980676589&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "displayOnLoad": false, "popupContentTemplate": "\n#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1043296, "id": "dc831f93-8168-459f-8e71-04a0cad79dd4", "rank": 5, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749312994607"}, {"properties": {"id": 1043041, "name": "Fuoco (www.smartcrema.it)", "type": "Cluster", "color": "Red", "cluster": {}, "labelKey": "Name", "browsable": true, "showLabel": null, "popupShape": "Panel", "remoteData": {}, "displayOnLoad": true, "popupContentTemplate": "# {Name}\n{description}"}, "old_id": 1043041, "id": "43d2bd27-327b-473d-8386-17f154ebf7ae", "rank": 6, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1572609281528"}, {"properties": {"id": 1043042, "name": "Terra (www.smartcrema.it)", "type": "Cluster", "color": "Tomato", "cluster": {}, "labelKey": "Name", "browsable": true, "showLabel": null, "popupShape": "Panel", "remoteData": {}, "displayOnLoad": true, "popupContentTemplate": "# {Name}\n{description}"}, "old_id": 1043042, "id": "c362deca-58c6-4310-ada9-59c01144916a", "rank": 7, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1594748318830"}, {"properties": {"id": "7a0ebb5e-3c6c-4090-9952-2ac1f54ca903", "name": "Mauro Picenardi", "rank": 8, "color": "DarkCyan", "old_id": 1043302, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "labelKey": "nomeopera", "browsable": false, "iconClass": "Drop", "inCaption": true, "showLabel": null, "popupShape": "Panel", "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=746846607&single=true&output=csv", "proxy": false, "format": "csv", "dynamic": false}, "description": "Il pittore Mauro Picenardi figlio d'arte di Tommaso e Anna Isacchi di Cremona, nacque a Crema il 15 gennaio 1735, nella parrocchia di San Giacomo in via Teresine, allora chiamata Canton del mondo alla roversa. Aveva imparato l'arte di dipingere nella bottega paterna, insieme al fratello Giovanni Battista, sono considerati pittori minori e ancora sfuggenti. Le cronache del tempo dicono di lui che era molto svogliato nel lavoro e non ha portato evuluzioni pittoriche, riproponendo sempre gli stessi colori. La storia racconta che nel 1783 stava affrescando la volta della pieve di Ripalta Arpina e il parroco si era accorto che al ghia n\u00e0 oia d\u00e0 laur\u00e0...saltem ad\u00f2ss, per cui f\u00f9 costretto a togliergli la scala di accesso all'impalcatura della volta, mentre il pittore stava lavorando. Tutto l'occorente e il mangiare venivano issati s\u00f9 tramite un cestello con una corda, il Piccenardi dovette lavorare giorno e notte per liberarsi dall'incomoda situazione, fino a quando l'opera non f\u00f9 conclusa. Ad opera ultimata il parroco rimise a posto la scala e il Picenardi pot\u00e8 scendere. [Zanini]", "displayOnLoad": false, "popupContentTemplate": "\n#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1043302, "id": "7a0ebb5e-3c6c-4090-9952-2ac1f54ca903", "rank": 8, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749312926161"}, {"properties": {"id": "0b8c2b90-5705-45de-8603-1f75936a6c58", "name": "Giovanbattista Lucini", "rank": 9, "type": "Cluster", "color": "Teal", "old_id": 1043307, "cluster": {}, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "labelKey": "nomeopera", "browsable": false, "iconClass": "Drop", "inCaption": false, "showLabel": null, "popupShape": "Panel", "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=1641333901&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "displayOnLoad": false, "popupContentTemplate": 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"Circle", "showLabel": null, "remoteData": {}, "description": "fonte principale : post su facebook di dino zanini", "displayOnLoad": true, "labelInteractive": true, "popupContentTemplate": "# {Name}\n{dettagli}"}, "old_id": 1043019, "id": "e2942db0-308c-460e-87a4-cce50ce18238", "rank": 15, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1625905889493"}, {"properties": {"id": "d4bb749a-d338-4e65-85f7-2e39107f30e8", "name": "da Cemmo", "rank": 16, "type": "Cluster", "color": "DarkTurquoise", "old_id": 1049284, "cluster": {}, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "labelKey": "nomeopera", "browsable": false, "iconClass": "Drop", "inCaption": false, "showLabel": null, "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=1228286440&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "description": "Giovan Pietro da Cemmo, attivo tra il 1474 e il 1507 o 1509, era probabilmente figlio del noto pittore Pasoto (o Paroto) da Cemmo, autore del polittico con la \"Madonna con il Bambino, un donatore e i santi Stefano, Ludovico, Siro, Giovanni Evangelista, Michele, Giovanni Battista, Apollonia e Agata\", olio su tavola, 1444 un tempo nella Pieve di San Siro a Capo di Ponte. Giovan Pietro venne chiamato a Crema dai frati agostiniani per affrescare il refettorio del loro convento, la cui costruzione era terminata nel 1497. La decorazione venne realizzata nel corso di alcuni anni a partire dal 1498 e termin\u00f2 nel 1507 come testimonia la data, ripetuta pi\u00f9 volte nel fregio sottostante l'Ultima Cena. Nel 1797 con la soppressione della chiesa e del convento le pareti del refettorio vennero coperte di catrame fino a met\u00e0 altezza, compresa la parte inferiore della Crocifissione, mentre il resto venne scialbato (Fiorentini, Redaelli 1990, pp. 64, 92). Gli affreschi tornarono alla luce solo nel 1953. Tra il 1971 e il 1973 sono stati strappati sia gli affreschi con l'Ultima cena e la Crocifissione che le sottostanti sinopie. Gli affreschi sono quindi stati montati su telai in alluminio e riappesi nella loro collocazione originaria, mentre l'Ultima cena \u00e8 integra e completata da due fascie inferiori con candelabre, la Crocifissione si compone di tre parti a sviluppo verticale. Le sinopie invece sono state arrotolate su rulli di legno e cos\u00ec conservate, finch\u00e8 nel 2005 sono state affidate a Marina Baiguera per un intervento di restauro. L'iconografia del ciclo decorativo \u00e8 piuttosto complessa: sui lati brevi sono raffigurate l'Ultima Cena e la Crocifissione di Ges\u00f9 che alludono al sacrificio eucaristico. La parte superiore dei lati maggiori presenta un fregio condotto con una estrema variet\u00e0 di motivi che va dalla ripresa del bas de page da foglio miniato ai fregi con puttini, tritoni, delfini e foglie d'acanto, recuperati da qualche stampa mantegnesca, alternati a medaglioni monocromi con i Re d'Israele caratterizzati da una potenza scultorea che trova corrispondenza nei rilievi dell'Amadeo e in Agostino de Fondulis. Al di sopra, all'interno di lunette, troviamo ventidue personaggi dell'ordine di Sant' Agostino, i Magistri sacrae paginae, proposti ad incarnare valori didascalici e morali: sono raffigurati in attivit\u00e0 speculative (leggono o scrivono), uno sovrintende ai lavori di costruzione di una chiesa per questo \u00e8 stato tradizionalmente identificato con Gian Rocco de Porzi, primo abate e promotore della edificazione della chiesa e del convento di Crema. I frati sono modellati con un rilievo molto forte, dal contorno netto, i volti sono connotati da una forte astrazione geometrica che denuncia gli ultimi orientamenti di Da Cemmo (Bramantino, Zenale, Civerchio). Nella volta troviamo in ventiquattro tondi a monocromo (fingono bronzo e pietra, materiali imperituri come gli exempla) con storie dell'Antico testamento: Creazione di Eva, Cacciata dal Paradiso, Il Diluvio universale, La Torre di Babele, La fuga di Loth da Sodoma, Benedizione di Giacobbe e primogenitura di Esa\u00f9, Il sogno di Giacobbe, Mos\u00e8 salvato dalle acque, Banchetto vetero-testamentario (Pasqua ebraica?), Idolatria di Salomone, Salomone e la regina di Saba, Il giudizio di Salomone, L'angelo sterminatore, Mos\u00e8 e il serpente di bronzo, La consegna delle dodici tavole a Mos\u00e8 e l'adorazione del vitello d'oro, Mos\u00e8 prega in cima ad una collina mentre gli ebrei sconfiggono gli Amaleciti, Mos\u00e8 fa scaturire l'acqua da una roccia, Il Passaggio del Mar Rosso, Il Sacrificio di Isacco. Queste scene sono caratterizzate da una tecnica diversa affine a quella delle miniature: i panneggi sono rialzati con tocchi di biacca, le figure sono allungate e smagrite, la mimica \u00e8 forzata, lo stile sciolto e fluido. Le volte unghiate sono state dipinte a secco con motivi vegetali acantacei popolati da mostri, uccellini e sfingi che derivano dall'Antifonario di Cremona e dall'Ordo Manualis di Crema (Marubbi). Gli affreschi del refettorio di Crema tendono a proiettare nel presente monastico le vicende bibliche ed evangeliche e costituiscono una rilettura della salvezza in chiave agostiniana\nIl convento di Crema era il capofila dell'Osservanza agostiniana di Lombardia, nata il 18 febbraio 1439 sotto la guida di Gian Rocco de Porzi", "displayOnLoad": false, "popupContentTemplate": "#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1049284, "id": "d4bb749a-d338-4e65-85f7-2e39107f30e8", "rank": 16, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749313036238"}, {"properties": {"id": "2e818914-b58e-4b6d-8428-20bc5895052c", "name": "buso", "rank": 17, "type": "Cluster", "color": "DarkCyan", "old_id": 1067505, "cluster": {}, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "labelKey": "nomeopera", "browsable": false, "iconClass": "Drop", "inCaption": false, "showLabel": null, "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=1494783689&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "description": "   Aurelio Buso de Capradossi (Crema, 1505 circa \u2013 post 1582) ebbe grande importanza in vita, ma della sua opera sopravvivono solo pochissime testimonianze. Allievo di Polidoro da Caravaggio a Roma negli anni Venti del Cinquecento, attivo a Mantova nel cantiere di palazzo Te nel 1531 insieme a Giulio Romano, diffuse il nuovo linguaggio manierista elaborato nella Roma di Raffaello nel nord Italia lavorando a Genova e Milano oltre che nel Cremasco. Purtroppo le sue opere pi\u00f9 importanti, all\u2019esterno del Palazzo della Meridiana a Genova e in Palazzo Marino a Milano, sono molto degradate per l\u2019usura degli agenti atmosferici o completamente distrutte per i bombardamenti della Seconda Guerra Mondiale. Rimangono dunque pochi esempi della sua pittura, fra cui solo i dipinti nell\u2019abside del santuario della Pallavicina a Izano e sulla controfacciata della Cattedrale di Crema sono visibili al pubblico, mentre i dipinti in Palazzo Zurla \u2013 De Poli a Crema, nella torre Vimercati Sanseverino di Azzano (frazione di Torlino Vimercati) e nella villa Vimercati Sanseverino \u2013 Griffoni Sant\u2019Angelo \u2013 Albergoni di Moscazzano non sono accessibili, sebbene questi ultimi s\u2019intravvedano in alcune scene del film premio Oscar \u201cCall me by your name di Luca\u201d Guadagnino girato nella dimora. (da https://www.culturacrema.it/focus/il-manierismo-a-crema/ )", "displayOnLoad": false, "popupContentTemplate": "#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1067505, "id": "2e818914-b58e-4b6d-8428-20bc5895052c", "rank": 17, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749313051051"}, {"properties": {"id": "91dc8834-dd69-43f5-b8e6-5060a1976e0c", "name": "Callisto Piazza", "rank": 18, "color": "DarkTurquoise", "old_id": 1111214, "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "editMode": "advanced", "browsable": false, "iconClass": "Drop", "inCaption": false, "showLabel": null, "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=1618915670&single=true&output=csv", "proxy": false, "format": "csv", "dynamic": false}, "displayOnLoad": false, "popupContentTemplate": "#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1111214, "id": "91dc8834-dd69-43f5-b8e6-5060a1976e0c", "rank": 18, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749312926260"}, {"properties": {"id": "c999fa35-e423-49ce-bff7-b09d56494462", "name": "approfondimenti", "rank": 19, "color": "Purple", "old_id": 1276422, "editMode": "advanced", "labelKey": "{DESCRIZIONE}", "browsable": false, "iconClass": "Circle", "inCaption": false, "showLabel": null, "popupShape": "Panel", "remoteData": {"ttl": "300", "url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vSLPuupB6C_swXPuoxkWJ5QyfIveDXxdYHvrMkAACc-ZDEl0D70FXBJJj0MhBtspuP8un4RJd2N-_bA/pub?gid=0&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "description": "questo strato contiene link a documenti che trattano in modo pi\u00f9 approfondito argomenti legati ad un particolare luogo", "displayOnLoad": false, "labelInteractive": true, "popupContentTemplate": "{DESCRIZIONE}\napprofondimento numero {ID} \n{DOCLINK}\n# {AUTORE}\n{DIDASCALIA}"}, "old_id": 1276422, "id": "c999fa35-e423-49ce-bff7-b09d56494462", "rank": 19, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749313069545"}, {"properties": {"id": "8ced873f-8d13-40a6-977c-9a8a847671ca", "name": "cose \"misteriose\"", "rank": 20, "color": "Black", "old_id": 1281407, "editMode": "advanced", "labelKey": "{DIDASCALIA}", "browsable": false, "iconClass": "Circle", "inCaption": false, "showLabel": null, "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vSLPuupB6C_swXPuoxkWJ5QyfIveDXxdYHvrMkAACc-ZDEl0D70FXBJJj0MhBtspuP8un4RJd2N-_bA/pub?gid=1281917707&single=true&output=csv", "proxy": true, "format": "csv", "dynamic": true}, "displayOnLoad": false, "popupContentTemplate": "{DESCRIZIONE}\ncosa \"misteriosa\" numero {ID} \n{DOCLINK}\n# {AUTORE}\n{DIDASCALIA}"}, "old_id": 1281407, "id": "8ced873f-8d13-40a6-977c-9a8a847671ca", "rank": 20, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1749313084194"}, {"properties": {"id": 1431960, "name": "La Strada Regia", "browsable": true, "remoteData": {}, "displayOnLoad": true}, "old_id": 1431960, "id": "6f77c279-02a1-4a94-9adb-50a8228502e5", "rank": 21, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1603556703155"}, {"properties": {"id": 1448522, "name": "moruzzi", "browsable": true, "remoteData": {}, "description": "geojson espansioni ", "displayOnLoad": true}, "old_id": 1448522, "id": "015c839d-9db5-49cf-9678-655cf6e31b08", "rank": 22, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1625905733027"}, {"properties": {"id": 1549166, "name": "pittori vari", "color": "MediumSpringGreen", "iconUrl": "/uploads/pictogram/art-gallery-24_1.png", "labelKey": "nomeopera", "browsable": true, "iconClass": "Drop", "showLabel": null, "remoteData": {"url": "https://docs.google.com/spreadsheets/d/e/2PACX-1vTVeFBbSHDbeVbSzX0FeYw3wO6_-HrdHa3bC3D-I1xbNzcDTb_Su34fj-34iXCX9E3-t3DDutCtZD_0/pub?gid=1663148055&single=true&output=csv", "format": "csv", "dynamic": true}, "displayOnLoad": true, "labelDirection": "auto", "labelInteractive": true, "popupContentTemplate": "#{nomeopera}\n## {nomeautore}\n{infoopera}\n*{fonte}\n{{{linkimmagine}}}"}, "old_id": 1549166, "id": "a8f9d027-c9d7-4aa5-a59f-9c9f637bc28c", "rank": 23, "permissions": {"edit_status": 0}, "editMode": "disabled", "referenceVersion": "1610216784493"}]}}